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PIN-UP MAGAZINE – APRIL 2015

PIN–UP is a biannual English language architecture and design magazine based in New York. It was founded in 2006 by architect and writer Felix Burrichter.

Financial Times – March 2015

The temptation to talk about an African architecture is great, but it is, of course, ridiculous. There is no such thing and never was.
Africa’s architecture is infinitely, thrillingly diverse and its variety embraces everything from the modernist ambition of postcolonial visionaries to the invention of the ad hoc informal settlements around some of the world’s most dynamic and fast-growing cities.

Forbes – April 2015

The inaugural Chicago Architecture Biennial announced the list of participants and artists that who will participate in the “largest international survey of contemporary architecture in North America” this fall from October 3 to January 3, 2016.

Vitra: Making Africa Exhibition | MARCH 2015

From March 2015, a major exhibition by the Vitra Design Museum sheds new light on contemporary African design. Showcasing the work of over 120 artists and designers, »Making Africa – A Continent of Contemporary Design« illustrates how design accompanies and fuels economic and political changes on the continent. Africa is presented as a hub of experimentation generating new approaches and solutions of worldwide relevance – and as a driving force for a new discussion of the potential of design in the twenty-first century.

Times of India – March 2015

PANAJI: The concept of floating buildings is not a novel one. But what if a 420 sq m structure of 3 floors could be built on water with locally available material and the manpower of only eight individuals?

This new and innovative form of an urban structure was materialised by Nigerian architect, designer and ‘urbanist’, Kunle Adeyemi.

Saturday afternoon saw some massive intellectual stimulation as Adeyemi shared his ground-breaking project on floating structures in his discourse on ‘Great city, terrible place’, at the latest edition of the Z-Axis annual conference being held at the Kala Academy, Panaji. Adeyemi developed the Makoko floating school as a prototype for construction in the coastal region of Makoko, a place which has regular floods due to unpredictable water levels.

Architizer – March 2015

‘Why the Chicago Architecture Biennial’s Kiosks Will Be CHI-IL As Heck.’ With the its local scene gaining momentum, the Chicago Architecture Biennial is threatening to steal some of the Venice Biennale’s thunder. (Please don’t give me concrete shoes!) One of the most exciting things in Chicago — and part of what is fueling the momentum of the Biennial — is the schools there. They have a complex history, as the skyscraper was born in Chicago, and Mies and Tigerman famously had a productive back-and-forth for many years at IIT and UIC respectively. Today, Chicago’s schools are thriving under strong leadership that has attracted some of the top design talent in the United States and the world.

Chicago Architecture Biennial 2015

‘Chicago Architecture Biennial partners with three Chicago-Based architecture schools and three international architecture firms to design additional kiosks as part of initiative to enhance lakefront’ We are happy to announce that NLÉ will be a part of the Chicago Architecture Biennial and in collaboration with School of the Art Institute of Chicago for the Lakefront… Continue reading Chicago Architecture Biennial 2015

Archdaily – February 2015

As the legacy of the Cold War fades and Western preeminence gradually becomes a thing of the past, population booms in Asia followed by the growth of a vast non-western middle class have seriously challenged the Western perception of the world. The East has become the focal point of the world’s development. If East Asia… Continue reading Archdaily – February 2015

Archdaily – February 2015

International design firm NLÉ has recently shared its competition-winning design for the financial headquarters of the microfinance bank Credit Direct Limited. Located in Lagos, Nigeria, in the Ikeja district, the bank’s design abandons the forbidding presence of most financial institutions for one that is open and welcoming. This decision not only invites clientele inside, but creates opportunities for adaptation to the tropical weather of Lagos.